« Things You Didn't Know About The Absinthe Drinker | Main | Looking Back on 1996 »

October 29, 2006

GermProg: We Love Krautrock

Anecdotal reasons why Krautrock is great:

1) Either Kraftwerk or Kraftwerk II on the Ginza Line: I continued to "listen" two or three minutes after it ended, thinking that the high-pitched buzz of the subway was the album.

2) Accidentally hit pause on some Can track and was pretty sure for thirty seconds or so that the abrupt silence was part of the song.

3) Listened to the entirity of Klaus Schulze's Irrlicht only to discover that I had put the CD in upside-down.

Posted by marxy at October 29, 2006 8:32 PM

Trackback Pings

TrackBack URL for this entry:
http://www.pliink.com/mt/mt-tb.cgi/133

Comments

Holger Czukay put an all-nighter show at Liquid Room a few years ago and it was quite nice. If only there were not so many people smoking there... (sorry Alin)

Posted by: dzima at October 29, 2006 9:24 PM

Hawkwind puts all that stuff to shame!

Posted by: Your Humble Janitor at October 30, 2006 12:05 AM

That's nothing. I've been listening to the extended remix of 4'33" since last night.

Posted by: Carl at October 30, 2006 5:08 AM

1. works even better with TEE on the chuo honsen as at some undefinable point you take a sweet, eternal, diagonal line of transcendence from the chris-b-esque concrete nightmare into the ricefields.

Posted by: alin at October 30, 2006 12:48 PM

that's more late Kraftwerk, no?

Kraftwerk I is good for grooving to locally-produced PBS children's television.

Posted by: marxy at October 30, 2006 1:22 PM

The thing you have to remember about TEE is that the futuristic train (which looks a lot like the shinkansen) was introduced in 1957, when Kraftwerk's core members would have been about 10 years old. They then immortalized it in music when they were men approaching 30, perfectly evoking, 20 years later, the excitement of a 10 year-old.

Posted by: Momus at October 30, 2006 4:29 PM

You betcha

Posted by: Rory P. Wakekrest at October 30, 2006 5:06 PM

Now this is what i call civilized dialectics: thesis anthitesis synthesis

Posted by: alin at October 30, 2006 6:36 PM

Great: we all agree about Germany.

Posted by: marxy at October 30, 2006 7:53 PM

Whoohoo! I merit an "esque" now!

Momus: thats sounds very truthy, lets agree to believe it.

Posted by: Your Humble Janitor at October 30, 2006 8:49 PM

the carsten nicolai and ryuichi sakamoto ぐっすりクリニク last Sunday at cc lemon hall.

80bucks well spent


Posted by: puyopuyo at October 30, 2006 10:54 PM

Na dann,
Ruckzuck weg vom Computer,
an die Kopfhörer,
und von Deutschland träumen.

denk ich an Deutschland in der nacht
bin ich um den Schlaf gebracht...

gets a whole new meaning here.

thank you from düsseldorf.

Posted by: clh at October 31, 2006 12:28 AM

Ten-year-olds excited about going to meet Iggy Pop and David Bowie?

Posted by: saru at October 31, 2006 1:03 AM

Oh come on, they sound totally dead-pan bored about that. The exitement -- all the dramatic tension -- is in the chorus, the chant of "Trans Europ Express"!

Posted by: Momus at October 31, 2006 6:17 AM

..gibberdy goo..
gets a whole new meaning here.

I'll say!

Carola, please send me all of your country's records.
James Last, first.
Then the old Neu--if you Can.
Already got all the MPS on MP3.

Posted by: Rory P. Wakekrest at October 31, 2006 11:31 AM

Carola - can you get me some early Kluster from your garage? I'll take aiffs over wavs if possible.

Posted by: marxy at October 31, 2006 12:06 PM

come on and get it...
(up in them guts)

Posted by: clh at October 31, 2006 5:22 PM

The excitement is in the machines, man.

Posted by: saru at November 1, 2006 2:27 AM

If you guys aren't familiar with Xhol Caravan you should check em out, maybe too jazzy for a lot of folks but, I dunno, something about the recording quality and the horn section reminds me of old Motown records, which is an odd but rewarding mix with the more Can-like psych/prog elements.
One thing I dig about Kraftwerk is how guys like Juan Atkins and Afrika Bambaataa mutated this kind of heady and sterile music into early electro, which became the beat of choice for breakdancing, something very human. That ersatz 10-yr old enthusiasm eventually translated into something real 10-yr olds could get hyped about!

Posted by: Laotree at November 2, 2006 9:51 AM

Its barely beleivable how few germans have actually heard(even the self styled alternative ones)this amazing music, excepting kraftwerk of course. As a Berlin based public player of music(dj-aaagh)who often gives Cann Faust, Neu and many others a spin, is amazing how often mostly germans approach me and enquire as to the makers of this music and after i tell them(if i tell them)they then proceed to ask me "pray tell from where and whence doth this music cometh", followed by shock and awe that it was homegrown.

Posted by: Saul at November 6, 2006 10:52 PM

Saul: My old German roommate stole my copy of Tago Mago.

Posted by: saru at November 12, 2006 8:05 AM